Our Heritage
La Tresor holds exclusive rights to one of the most significant and multifaceted image archives of the 20th century. We curate with responsibility — and with respect for the complexity of the work.
"Difficult heritage deserves a considered, dignified framework."
Leni Riefenstahl was one of the technically most brilliant filmmakers of her time — and at the same time a historically fraught figure. We engage with this ambivalence. Our mandate is not glorification, but appropriate exploitation with historical awareness.
Rights Catalogue
All film rights include streaming, theatrical re-release, educational licences and short excerpts. Enquiries stating intended use.
Print editions, exhibition loans and digital usage licences are negotiated individually. Exclusive rights on request.
Film
Riefenstahl's feature films belong to the technically most avant-garde works of early cinema. "Das Blaue Licht" (1932) defined a new visual language for the mountain film. "Tiefland" (1954), locked away for decades, is one of the strangest and most fascinating productions in film history.
La Tresor manages both works as the complete rights holder — from theatrical distribution through streaming to educational licences for universities and film archives.
Underwater World
In her final decades Riefenstahl literally dived — into the coral worlds of the Red Sea and the Maldives. What emerged is a unique archive: colour-intense, still, far from the political burden of her earlier work.
These underwater images are at the centre of La Tresor's "Born at Sea" philosophy. They connect the heritage with Vela.Art and the ocean as a common horizon.
Nuba & Africa
Riefenstahl's Nuba photographs from Sudan (1960s–1970s) are among the most discussed photographic documentations in ethnographic history. Susan Sontag criticised them; others celebrated them — the images provoke debates that have not fallen silent to this day.
La Tresor manages this archive with the aim of placing it in a scientifically grounded and culturally reflective context. Every exploitation request is carefully examined.
Our Stance
We do not believe in suppression — neither of the work nor its historical burden. La Tresor positions itself as a responsible rights holder enabling considered exploitation: for scholarship, education, art and documentary investigation.
Those who work with us can rely on discretion, historical awareness and professional guidance throughout the process.
The Worlds of the Heritage
Underwater
Riefenstahl's late underwater images were created far from the history that burdens her name. They show an artist who found herself in the depths of the sea. A poem of colour and form at once.
Africa / Nuba
The Nuba photographs bear witness to an intense, years-long encounter between photographer and one of Africa's most visually fascinating peoples. Their controversy mirrors decades of cultural-political debates.
Licensing & Cooperation
Whether documentary film, exhibition, scholarship or publication — we examine every enquiry carefully and guide you through the entire process.
Send Enquiry